Run for Your Life! It?s the 50 Worst Songs Ever!


Bench Warmer
Run for Your Life! It’s the 50 Worst Songs Ever!

Run for Your Life! It’s the 50 Worst Songs Ever! Article on Blender :: The Ultimate Guide to Music and More

Here are the top Ten

“Ebony and Ivory” 1982
Racial-harmony dreck

See, it’s a metaphor: “Side by side on my piano/Keyboard/Oh, Lord/Why don’t we?” McCartney and Wonder want the races to get along as peacefully as the white and black keys on a piano — which seems unlikely, since the white keys didn’t enslave the black keys for hundreds of years. The anguished idealism inspired a Saturday Night Live duet between Eddie Murphy and Joe Piscopo: “I am dark and you are light/You are blind as a bat and I have sight.”

Worst Moment The repeated chorus at the end — where the song gets even chirpier.

“American Life” 2003
Desperately seeking…contemporary relevance

On which Madonna updates the “Material Girl”–era satire of commercialism and spiritual emptiness — but this time, she does it with what is hands-down the most embarrassing rap ever recorded. Nervous and choppy, she makes Debbie Harry sound as smooth as Jay-Z. The only thing worse than shouting “soy latte”? Rhyming it with “double shot-ay.” The rhymes don’t kick in for a full three minutes, but the song — propelled by a constipated digital beat and some bungled musings on celebrity culture — stinks the whole way through.

Worst Moment After rapping, Madonna sings, “Nothing is what it seeeems” in a manner drained of all profundity.

“Party All the Time” 1985
Beverly Hills Cop commits felony pop

Now, it might seem like a cruel satire: Leather-suited comedian teams up with Jheri-curled Superfreak to craft hit record. But no — in 1985, Eddie Murphy and Rick James really did get to number 2 with this catatonic checklist of funk clichés: the witlessly parping synthesizers, electro-totalitarian drums that are practically ready to invade Poland on their own, production mimicking karaoke night in an abandoned pet-food factory and…falsetto singing!

Worst Moment James oozes, “She-likes-to-paaarty — all — the — tiiiime,” leaving us in no doubt about what kind of “party” he has in mind. Relax, ladies: He was on crack.

“Don’t Worry Be Happy” 1988
Oh, great — a bumper sticker set to music

Just as there are few things more depressing than being told to cheer up, it’s difficult to think of a song more likely to plunge you into suicidal despondency than this. The finger-clicking rhythm, the Sesame Street backing and McFerrin’s various accents — all different, all patronizing — are an object lesson in trying too hard. The lyrics are appalling, too: If your landlord is indeed threatening you with legal action, you should not under any circumstances follow McFerrin’s advice, which seems to involve chuckling at him and saying “Look at me, I’m ’appy” in a comical Jamaican voice.

Worst Moment The whole wretched thing.

“The Heart Of Rock & Roll” 1984
A celebration of rock music …by a band seemingly intent on destroying it

Less a song than a craven attempt to curry favor from drunken arena crowds trained to roar on cue when they hear their city’s name mentioned. Coming off more like one of your dad’s golf buddies than a rock star, Lewis rattles off a list of American cities in a monotone so bland that subbing in “Bakersfield” for “San Antone” would drive the fans wild, and hopefully distract them from the fact that the bar band–caliber music suuuuucked.

Worst Moment The second verse, when that cheeky Huey almost uses the word ***. Ah, 1984 — such a simple time.

“Ice Ice Baby” 1990
When hip-hop stopped being the “black CNN”

Making fellow early-’90s pop-rap pioneer MC Hammer look cutting-edge by comparison, the chart-topping “Ice Ice Baby” was mindless white rap for mindless white people, set to the plodding bass line from Queen’s “Under Pressure” for easy move-busting. Lyrically, the Iceman recounts a trip to Palm Beach, where he is forced to reach for his “nine” by some moody dope fiends. It later emerged that this nice suburban boy fabricated his tough past and would probably soil himself at the sight of a real gun.

Worst Moment “To the extreme I rock a mic like a vandal/Light up the stage and wax a chump like a candle.” None of this was remotely true.

“Rollin’” 2000
In which nü-metal veers from disaffected rage to “Will this do?”

Sounding like a middle-aged man trying to fight his way out of his son’s frat party using only random words of youth slang and an unconvincingly gruff tone of voice, Fred Durst dictates a light aerobic workout (“Hands up, now hands down.…Breathe in, now breathe out”) against a background of histrionic metal noise. The song is meaningless and embarrassing in equal measure.

Worst Moment Being addressed as both “partner” and “baby” in Durst’s drawling intro, shortly before being told, bafflingly, “You know what time it is.”

“Everybody Have Fun Tonight” 1986
If this song was a party, you’d lock yourself in the bathroom and cry

Initially called Huang Chung, but in no way Chinese, London-based funk tools Wang Chung changed their name to make it easier for whitey to pronounce, thus patronizing Asia and Europe in one stroke. Musically one of history’s least convivial party songs, “Everybody Have Fun Tonight” was both lyrically preposterous (“On the edge of oblivion/All the world is Babylon”) and sung by Jack Hues as though he would turn to sulphur at the very thought of “fun.”

Worst Moment That chorus: “Everybody have fun tonight/Everybody Wang Chung tonight.”

“Achy Breaky Heart” 1992
At least the haircut never caught on. Oh, wait…

Country, but not as we know it. Written by Vietnam vet Don “Pickle Puss” Von Tress in the style of a brain-dead “Blue Suede Shoes,” “Achy Breaky Heart” represented every prejudice non-believers have about country: It was trite, it was inane, it was big in trailer parks and it was thoroughly enjoyed by the obese. Strangely, it was covered by Bruce Springsteen, with slightly less irony than you might imagine; still, this does not make it good.

Worst Moment An instrumental break that single-handedly rejuvenated the line-dancing fad.


Bench Warmer
“We Built This City” 1985
The truly horrible sound of a band taking the corporate dollar while sneering at those who take the corporate dollar

The lyrics of “We Built This City” appear to restate the importance of the band once known as Jefferson Airplane within San Francisco’s ’60s rock scene. Not so, says former leader Grace Slick, who by 1985 had handed her band to singer Mickey Thomas and a shadowy team of outside songwriters.

“Everybody thought we were talking about San Francisco. We weren’t,” Slick says. “It was written by an Englishman, Bernie Taupin, about Los Angeles in the early ’70s. Nobody was telling the truth!”

Certainly not Starship, who spend the song carrying on as if they invented rock & roll rebellion, while churning out music that encapsulates all that was wrong with rock in the ’80s: Sexless and corporate, it sounds less like a song than something built in a lab by a team of record-company executives.

The result was so awful that years afterward, it seems to bring on a personality disorder in the woman who sang it. “This is not me,” Slick remarks when reminded of the 1985 chart-topper. “Now you’re an actor. It’s the same as Meryl Streep playing Joan of Arc.”

Worst Moment “Who cares, they’re always changing corporation names,” sneers Slick — whose band had changed its name three times.


Bench Warmer
i think 50 cents new song i got money is one of the worst songs ever ...

50 is really running out of material ...
i got money , i got money .... i run New York ...

yes were all impressed that you have money , and im sure you run a City ...



Bench Warmer
sorry but MOST of those songs are NOT that bad....EXCEPT

“Party All the Time” 1985